![]() ![]() Some might say that Mann’s involvement with Anne of Green Gables and Road to Avonlea was meant to be. For many of Mann’s costumes and wardrobe concepts for Anne of Green Gables, she worked with London’s Cosprop Design Firm (who collaborated closely with Merchant Ivory Films) to obtain many of the supporting players' wardrobes, adding a special level of authenticity that fans have noted to this day. ![]() If it looked realistic to her, it was allowed to go on screen. She even employed genuine boning in the corsets of the female characters, a detail that some might overlook, but that made the attire more realistic. It was paramount to her that everything be authentic, and so she took into consideration not only what the character would wear, but also how they would wear that particular garment. When it came to deciding what each character was going to wear, her research and planning were meticulous each character's wardrobe would be crafted based on that character's personal history. ![]() Mann was the principal designer for Anne of Green Gables, Anne of Avonlea, the first two seasons of Road to Avonlea and Anne of Green Gables: A New Beginning, along with other Sullivan films: Looking for Miracles, Lantern Hill, Krieghoff, and The Wild Pony.
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